Categories
Documentary Illustration Level 4

Documentary Illustration: Practical Portfolio Week 1

This week I visited Hyde Park, I went for around 4 hours. I spent a while wandering around the park to see what different areas there where and finding my own areas of interest. Then I found places to sit and began to sketch on location as well as take some photos to reference back to and make further developments with. I found that I had a big interest in trying to capture animal behaviours and drawing these from the photos I took. Also I really like parts where the plants and man made structures are interacting. These are a selection of the photos I took of locations I drew at as well as ones I used for later developments.

I did a study of a few different squirrels. I was lucky to get close enough to film a few and make sketches of their movements. I tired this in a few different materials, pencil, biro and marker pen.

I really like this Beatrix Potter inspired style of drawing animals. I start with a biro sketch then add watercolour. I hope to capture more animals through out this project to do more in this style. I also took inspiration from the illustrative style of the Lost Words.

I also did some biro and watercolour sketches of areas that particularly caught my eye. I like this area because there was lovely interaction with man made objects such as the sculpture and bench with the plants and bushes. I also liked how the plants where clearly only supposed to be growing in certain areas but had overgrown.

I chose this areas because of the pink leaves on the tree which had a very interesting twisted trunk. This style was heavily inspired by the documentary illustrators that I mentioned previously such as George Butler.

This dynamic marker pen style is something I will develop throughout this project. This is a sketch that I did on location.

Then I did a study of some flowers in a similar style.

I thought my first trip to Hyde Park was a success as I was able to create lots of sketches on locations and from photos I took. I will continue to develop from some of the photos and make at least 1 more trip to doing more observational drawings. I also have a greater understanding of my interests and the theme I was the images from my project to be centred around. I want to capture animal behaviours and the interactions between plants and man made objects as well as some pieces which simply reflect the beauty of nature.

Next week I plan to visit the Bonnington Gardens to do sketches there and take photos for reference. Also I think it will be important for me to come up with a title to help keep my illustrations focused and on theme so I’ll try to figure that out by next week.

Categories
Drawing Exploration Level 4

Drawing Exploration: Experimental Drawing- Reportage

This session was run by Anna Steinberg who also led one of the Documentary Illustration sessions. This was an exploration of reportage drawing which means drawing from observation as a form of recording. This is similar to what we have been doing in the Documentary Illustration. The first exercise we did was drawing each other around the classroom. This was a good warm up exercise as we were in a comfortable environment and there wasn’t much movement going on, making it easier to capture the environment and people.

On a few of the sketches I added a dilute water colour wash to things with standout colours such as peoples jumpers. I think this adds character and an energy to the sketches.

Then we moved into the Forum and sketched people there. This is a less comfortable environment but I’m getting used to drawing in public because of the work on Documentary Illustration.

I can see myself improving at doing quick figure sketches as I’m able to capture the key details. Also sometimes I caricature certain details/ features to make them stand out and really capture the essence of the person. I found it very helpful to see Anna’s reportage sketchbooks as it gave me a lot of ideas and inspiration. I really liked her use of watercolour to brig life to an image and her use of continuous line to create the characters and scenery. Watercolour is a medium I’d like to practice and improve with.

My artistic inspirations for these sketches were Anna Steinberg’s reportage sketches and George Butler’s illustration for example:

Categories
Documentary Illustration Level 4

Documentary Illustration: Practical Portfolio Proposal- London’s Natural Beauty

My proposal is to document different areas of London with rich natural beauty. I will focus on the landscapes, plants and hopefully some animals. Also I will document some interactions of people and man made structures with nature. I want to focus on natural environments to highlight the how much natural beauty there still is in cities like London and the importance of maintaining these environments. While areas like Hyde park are not all natural I want to show that nature is still thriving. I will use primary observational sketches and photographs to document the areas. I don’t want to interact with the people there as I want to capture authentic and genuine interactions with nature. 

I will produce an art book with my sketches. It will have 2 chapters, one for each location I visit. I plan to visit 2 locations, 1 well known and famous location and 1 more obscure natural area. I think it will be interesting to compare them as well and just being enjoyable to experience drawing in different types of locations. I’ve done some research about different areas and the popular location I’d like to visit is Hyde Park. The smaller area is in Vauxhall and it’s called the Bonnington Square Pleasure Gardens. Before drawing at these locations I plan to visit all of them to check that I’m happy to use those locations and see which particular bits interested me to document.

Here are some photos of the locations I’ve mentioned, Hyde Park and Bonnington Pleasure Gardens. I visited the Gardens in Vauxhall and there was lots of parts of it that interests me so I’m definitely gonna use this location.

Next week I will try to visit Hyde Park and finalise my plan then I can move onto creating the illustrations. I was doing some research of nature illustrations and found a website called the Society of Wildlife Artists and I really like some of the artists style so I’m gonna take inspiration from some of those including David Measures and Marco Brodde. Also a big influence on me since my childhood has been the work of Beatrix Potter. I love her natural illustrative style as it’s very warm and sweet and I’d like to try and capture this through my images.

David Measures

Marco Brodde

Beatrix Potter

Below are images by 3 documentary illustrators that I will be taking inspiration for when creating my illustrations. They are George Butler, Lucinda Rogers and Jim Butler (in that order).

Also I will be taking inspiration from this book titled the Lost Words. It depicts a different animal or plant for each letter of the alphabetic as a way of documenting and preserving the worlds natural beauty. I both really like the concept and art style of the illustrations.

I’ve been thinking more about the central theme that I want to tie all my images together and I’m leaning towards the ideas of nature taking over. This is in reference to the animals that come and enjoy the areas then move on and the growing of plant life.

Categories
Drawing Exploration Uncategorized

Drawing Exploration: Experimental Drawing- Line

After completing the 5 weeks of figure drawing I moved onto the second half of this module, experimental drawing. The first exercise we did was simply to choose and medium, I chose pink oil pastel, and make 10 different lines. This was a good warmup as it got us thinking about the different mark making possibilities of a single medium.

We worked in groups to do more mark making to music. I think the collaborative element was very helpful as me and my partner where able to quickly share ideas and collaborate to make a very energetic and colourful piece to represent the music.

This are some of my favourite sections of the piece. I like the movement of the lines and vibrancy of the colours.

At the start of he session I was sceptical about the approach as I usually prefer a more closely considered way of ,asking images but by the end I was enjoying it and came out with a piece I really like. This approach to mark making is something I hope we continue with in the module.

For homework this week we had to select 4 musical terms and employ each term as a key component in a series of 4 drawings. We had to use a wide variety of linear lines and marks that we explored during the session. There are many types of lines that we can use such soft, hard, curvilinear, straight, sharp, brittle, hard, broken, light, heavy, tonal, dense, open, energetic, passive, quiet. Each can be used to convey different meanings and emotions.

For this one I chose the word Vivace which means lively and quick. I tried to capture a very dynamic and energetic feeling with a range of colours and marks.

This one was inspired by the term Mancando which means waning and dying away. I didn’t want to just capture this meaning by using all dull colours, I wanted to do it by making all the energetic lines merge into one stop where are the energy disappears to.

This piece is about the term Brio which means vigour. I thought the best way of representing that would be through bold and harsh lines that are all crossing over in muted colours.

This piece represents Giorjoso, meaning merry. I used exclusively bright colours with lots of smooth curves to create a happy and free atmosphere.

For the final piece we had to pick 2 terms and create a drawing that shows a dialogue between them. I chose Allegro (lively, fast and cheerful) and Lamentoso (mournful). The way I tried to represent this is with have to set of lines going in different directions. The more vibrant lines are more dynamic and energetic but observed by the thick black lines.

The artist that I was inspired by for this piece and my homework pieces was Kandinsky. He is generally credited as one of the pioneers of abstraction in western art. I find his art style really engaging, particularly the use of colour. This is one of my favourites:

Categories
Drawing Exploration Level 4

Drawing Exploration: Figure Drawing- Shape and Form

For the final week of figure drawing the focus was on shape and form. As with each session I began with quick sketches of different poses each around 1 to 2 minutes. I did lots of practice of this as I enjoy it and wanted to test myself by attempting to draw some complex poses such as laying down ones that I struggle with more. I used videos of both male and female models for this.

This is a page of continuous line sketches which is a good way of experimenting with shape and form. I’ve done continuous line sketches before but not for figures so this was difficult but overall I’m satisfied with how they tuned out. I tried to do sketches for a range of poses to push myself.

For this page I experimented with using minimal lines to construct a figure. This required me to focus of the negative space to see the silhouette of the figure and pick out line most essential lines. This was a fast activity and I think it was successful and not something I would have been able to do a few weeks ago as I wasn’t so confident with how to construct a figure.

I began to introduce colour to expand upon what I did last week. I chose a line from the figures silhouette and cut it out from coloured paper then sketched the figure in biro over it. I liked experimenting with multi figure figure dawnings.

This task with essentially combining the work from the last to pages. I would pick out the key shapes from the figure and cut these out from coloured paper. I like how the figure are simplistic but there’s still enough detail to make the pose pose.

Overall I really enjoyed the figure drawing portion of the module, I learnt a lot of tips and techniques that I can use. Also we used a range of tools and mediums that have expanded my own personal tool kit of sketching. I feel a lot more confident with drawing figures in complex poses now but plan to continue to develop these skills as I think it’s an important skill to have as an illustrator.

Categories
Drawing Exploration Level 4

Drawing Exploration: Figure Drawing- Colour

In week 4 we focused on colour. We could choose what colourful medium we wanted to use and I chose coloured pencils and pens. Colour theory is a very complex topic and while I don’t know all about it, I have a solid understanding of basic colour relationships and how to use colours to effect the mood of a piece. This diagram shows a range of different relationships that can be used.

The first activity was a warmup with lots of quick 1 to 2 minutes sketches, just focusing on getting the figure accurate. For this I just chose random colours as there wasn’t time to consider the effects of them in this task.

Here are a selection of slightly longer poses which gave me more time to get a more accurate sketch of the figure. I can definitely see improvement in my sketching from this session to the first week.

The next 2 pages are both more detailed with some tone and facial features included. For each figure I used 2 colours, 1 for the construction lines/framework and another for the tone and outline. I used a range of sets, some being different shades of the same colour, some complementary and some contrasting.

I really enjoyed this page as it was fun to experiment with different styles of sketching using colour. The blue one in the top left is the same style as the previous pages but with biro. For the pink one next to it I drew the outline of the figure first the used a purple pencil to lightly sketch in the shadows. The green one was particularly fun and challenging as I did no framework or outline and just sketched the shadows. The red and yellow one was an outline with the lightest bits shown with the yellow. For the one next to that I used 2 different co lours for the shadows and highlights. And the last one is a negative space sketch where I focused on the silhouette.

I really enjoyed this session because I love to work with colour and I’m feeling a lot more confident with figure drawing as I can see significant improvement from week to week of the module.

Categories
Documentary Illustration Level 4

Documentary Illustration: Rachael Ball Graphic Novel Your life Pt 2

In this session we continued on with the Graphic Novel Your Life workshop with Rachael Ball. I learnt some very important things in this session such as the fundamentals of making an engaging story with interesting characters, how to pace a comic and how to effectively storyboard ideas. Most stories, even those with complex plots can usually be simplified down to a main charters goal, obstacle and action. This is key to creating a story and I’ll keep this in mind for the future. In the session we took the story we had thought of with the characters we’d created and create quick thumbnail sketches. These are my quick thumbnail sketches that I did to show my story.

These are very rough sketches, just enough to get the point across. After making these I looked through them and began to add in frames and remove ones to adjust the flow and pacing of the story. This is a good idea to do in the early stages so that you don’t waste time on lots of detailed sketches just to remove them later on. Rachael also taught us about framing in a comic and how this can impact the message it conveys. For example wide shots are good at the start to show the location and close up shots are good for drama.

After creating the thumbnails I made the layout for the comic strip. My story is not a complex story it’s just a short wholesome story so I wanted to keep it within 2 pages. Some boxes are bigger than other others demoing of the importance of the frame. The frames where me and my sister are imaging what the surprise could be are large to give me space to show the vivid childish imaginations.

I then developed my comic strip into a more detailed storyboard. I used the layout from above. The images stay fairly similar to my initial sketches but are all more refined and neat. I really like how the pages turned out with the consistency of the images and pace of the story telling. I can see the Disney character inspiration coming though well in the illustrations. If I was to colour this comic strip I would use a simple and bold style to make the illustrations eye catching and help reflect the childish and light hearted story.

Creating characters and comic stripes is something I want to do more of as I’d like to improve of showing emotion through dynamic, caricatured characters.

Categories
Documentary Illustration Level 4

Documentary Illustration: Southbank Drawing Trip

This week we went to a trip to various places in London such as the Royal Festival Hall and Tate Modern to practice our documentary illustration skills. For the trip I solely focused on drawing people on sight so none where done from photos.

We were given a series of tasks including sketching people in 2 materials. I chose pencil and biro and decided that biro would be more beneficial because of the permanence of the marks, making me be more bold with the marks I made.

These sketches where from the Tate Modern. I think the sketches improved throughout the day as I became more confident in drawing in such public locations.

At the ‘Poets in Vogue’ exhibition we had to sketch a couple objects that interested us so I chose these collars with eyes in the middle and a dress. I loved the boldness of their colours and wanted to add a hint towards that by layering some of those colours over the black biro sketch.

This exercise tested me as we had to draw 1 figure with our right hand and 1 with our left hand. I’m right handed and rarely try using my left hand so considering this I’m pleased with how the figure turned out.

Categories
Documentary Illustration Level 4

Documentary Illustration: Rachael Ball Graphic Novel Your Life

In this session we had Graphic Novel illustrator Rachel Ball come in and deliver a workshop about a different type of documentary illustration. This type is all about visually documenting a memory or experience in the form of a comic strip. This is something that really interests me as I enjoy reading comics and like the process of character design. This is an example of a page from one of Rachael’s Graphic novels.


We began the session with Rachael explaining about her own work and creative process. Then she began giving us exercises that she uses when beginning her process. For example think about things such as weird dreams, embarrassing moments, favourite films, advice for your younger self. These were all a way of generating inspiration and thinking about things we like. After this we got into the main focus and that was to think about some early memories. From these we began to develop them into stories by changing bits, adding fantasy elements and just generally playing around with a memory to turn it into an interesting story.
I had a few different ideas but the memory I chose to use was of me and my sister (Eloise) meeting our baby sister (Hannah) for the first time. I wanted to play on this and how me and Eloise loved to play made up games and try to capture this childish imagination. The rough idea for the story would be our parents come and tell us they’ve got a surprise and me and Eloise start thinking of what it could be and end up shocked when they introduce us to our new baby sister. I want to included images to illustrate our imaginary ideas such as dragons and aliens.

So for this story there are 5 characters I will need to design, Me, Eloise, baby Hannah and my parents. Designing these was the focus of the afternoon session.

Rachael taught us some ways to being the process of designing a character such as creating fluid lines and turning them into animals or people, drawing people from observation, researching other artists. One in particular that stood out to me was the idea of caricature which is where you exaggerate features to capture someone’s essence. I to ok this into our first exercise where we had to draw characters faces from different shapes such as ovals and triangles. I enjoyed just picking a shape and turning it into a made up character.

When designing my characters faces and body shapes I took a lot of inspiration from Disney Pixar’s character designs such as Deanna Marsiglise. It’s an art style I’ve loved since I was a child and have always admired how well the artists are able to convey emotions and personality through the facial expressions and dramatic body shapes.

Then we moved onto creating figures out of shapes. I tried to caricature the figures by really exaggerating the proportions or certain body parts.

I started these with bendy stick figures to create more dynamic figures to try to express movements or emotions which are key to graphic novel art.

Then I started to develop one of the characters that I wanted to use in the comic strip (myself). I tested out different expressions, angles, and poses to begin to get an essence of the character.

I digitally sketched the face and body shape for one of the characters and started to think about colours for the face, hair and clothes.

I then made another character sheet for my older sister (Eloise). I aimed to keep the shapes of the body and face consistent to both characters. At the bottom of the page is a full sketch of the 2 characters I’ve worked on so far.

After try out lots of body shapes these are the ones I’ve decided to go with for each character. They have a similar style that makes them look cohesive but each figure has key differences to make the easily distinguishable and recognisable.

I really enjoyed this session about graphic novels and character design. Rachael Ball gave lots of good advice that I’ll try to implement into my own work such as building bodies and faces from shapes caricaturing someone to exaggerate features. I look forward to expanding upon my characters in the next session.

Categories
Documentary Illustration Level 4

Documentary Illustration: Environment 3

In the afternoon we had to go to the ares around the Photography gallery in London as document the communities. To the South and East of the Gallery there is China Town which is home to London’s largest Chinese community and east beyond that there is a large Italian Community centred around the famous Bar Italia. I wanted to expand my documentary illustration skills by looking at a combination of people, objects and buildings from the various locations. For my sketches I used pencils and biros as they’re medium I’m comfortable with even when having to work fast.

I think through these sketches I was able to capture the important bits of the communities that give them their identity. Generally documentary illustration is something I’m growing more confident with and I think the next step will be to expand on the mediums I use.